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We bring the smartest minds in the property carbon-reduction world to FOOTPRINT, so we think it’s only right for us to disseminate all this experience and knowledge freely. Most of what you hear here won’t have been spoken about before; it’s all hot-off-the-press! If you were at FOOTPRINT 2024, you can hear all the talks you couldn’t get to while you were in another of our 6 theatres; and if you weren’t, now is your chance to learn why you need to be at FOOTPRINT 2025 (and it’s all CPD-approved).
Episodes
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Brutalist buildings should be recognised for their potential. Aesthetically and structurally challenging to some, the key to unlocking this potential has common threads. Whitby Wood invite you to a breakfast briefing where we will explore the successful adaptation and revival of two distinct building typologies.
Plant — the ‘hanging gardens of Basingstoke’
Formerly Mountbatten House, the original 1970s vast-stepped modernist complex comprises six levels of commercial workspace with tiered roof gardens in Basingstoke, Hampshire. Fundamental to the revamped scheme are the celebrated cascading green garden terraces. The design team sought the sensitive restoration to improve biodiversity and urban greening and maximise the potential for adaptation within the existing structural fabric. Plant is an exemplar development for the evolution of a pioneering design intent to promote wellbeing and connection.
Zodiac — repurpose for social housing and community spaces
This ambitious re-use project transforms a neglected 1960s concrete complex in West Croydon into 73 thoughtfully designed, low-carbon homes for emergency housing. Rather than demolish, the developer sought to repurpose the abandoned buildings. The scheme integrates local amenity, courtyards, and social spaces and reimagines the derelict forecourt as a vibrant community garden. Zodiac’s revival sets a precedent for adaptation of underused assets — and for the provision of new housing from office space.
Come and hear from the teams at Zodiac and Plant, Basingstoke.
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